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Day One: CD Single

Soliloquy: CD Single

Soliloquy LP

Fuck Jackin for Beats, Pt II

Surfacing LP

One: The Original Mixtape

This Is Now LP

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PRIZM Music dot Com - Kayce Productions 2004-2009

By Exclaim Magazine Aug 05 Issue

By Platform8470 Magazine July 05 Issue

By Hiphopcrib.com - Kaleal (June, 05)

By Josh Ray aka Linguistic

By Mike Zhang

Emcee-Battle.com Interview (Nov, 04)

Thermal Dynamixxx Article (Oct, 04) Scans: 1 2 3

Hiphopcanada.com Interview (Oct, 04)

Illmusik.com Interview (Sept, 04)

The Echo Speaks with Prizm (May, 04) Scans: 1 2

Youthink's Spotlight on Prizm (April, 04)

By Exclaim Magazine Aug 04 Issue

By Hiphopcrib.com - Spartz (Oct, 04)

By Hiphopcrib.com - Treason (Aug, 04)

By Hiphopcrib.com - Dren (Aug, 04)

By Hiphopcrib.com - Push (Aug, 04)

By Hiphopcrib.com - Kaleal (July, 04)

By RapReviews.com (July, 04)

By Are Esp (artist from Texas)

By D. James (artist from Indiana)

By Dstruction (artist from Mass.)

By Teresa Voss

By Nathan Phothichack

By Carlos Esquivel

By Mike Zhang

By Exclaim Magazine Feb 04 Issue

By Lakehead University (Feb, 04)

By CFBX 92.5FM

By 604hiphop.com

By Brandon Couture

"Music for Self" by Hiphopcrib.com (Aug, 04)

"$25 Mixtape" by Hiphopcrib.com (July, 04)

Royal-T's LP by Exclaim Magazine April 04 Issue
PRIZM Music dot Com - Kayce Productions 2004-2009
"This is Now" LP [February, 2004]
reviewed by Thomas Quinlan for Exclaim Mag

Slide “Ouch” (and maybe “Night Writer II”) into the mix just before “Cinematic Tactics” and cut the remaining nine songs that follow, and Prizm’s This Is Now would be one hot indie debut. On “Introduction,” Fat Chicano brings Prizm back to the mid-90s, a vibe that continues to pop-up throughout the album on tracks like “Night Writer,” with D-Rec’s bass-heavy beat used on both versions, and a funkadelic “What’s Real” from Jel (not of Anticon). Clokwork and Sydafek contribute to a smooth vibe with “My Philosophy” and “Liquid Styles,” respectively, while Fear brings the paranoia on “Stranger Things.” Decline combines some Spanish guitar and oboe on “It’s Time,” creating one of the freshest beats in recent memory. Prizm sounds comfortable on the beats with his smooth, laidback flow, whether he’s using the song to brag and boast, or love and lament. And he’s willing to discuss topics that are important to him.

Unfortunately things go downhill after “Cinematic Tactics,” where the more personal half of the album begins. The songs start to sound repetitive, and the personal ones are too often accompanied by sappy, melodramatic production. Mastering might also help give the music a fuller sound. With This Is Now, Prizm attempts to give his all and ends up giving too much.

REVIEWED BY THOMAS QUINLAN
(Article online here.)
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